CHAMBRE NOIRE

Chambre Noire draws inspiration from Newton’s photographic codes as well as Eric Stanton’s impudent frames, this collection anchors the irreverence of these references in pieces that dance on a razor’s edge. Maison Close deploys a variation of analog blacks as well as a play that opposes tones that are both transparent and opaque; it is endowed with the aplomb of the “fétichic” heroine: clean cut, striking, phantasmatic.